GamesYouLoved want to create a world where games of every description unlock your memories, open up nostalgic thoughts and bring people together.
With remembering the games you loved when you were younger we hope you can have some great feelings about the good times now!
GamesYouLoved synopsis: Diary of an 80s Computer Geek By Steven J Howlett As a child growing up in the 80s you would have seen dramatic changes occuring in technology along with music, movies, toys and fashion.
In the Diary of an 80s Computer geek, Steven J Howlett brings this to life through the eyes of a child and the world around him changing before him. The wonderment of change and a life dedicated to computers started early for our protagonist. From the longing for the simple ZX81 in 80s Britain, where the individual had a chance make something from new if they really wanted. To the idea that this could even be a job or career. Could this 'hobby' of computers and gaming become something more?
From the playground where cassettes could be bought and sold on the black market, to programming line after line of code to create simple games Stephen was on a journey that no other generation had encountered. This diary takes you through the 1980s with how Steven dabbles in ventures which from a simple hobby using the ZX81 becomes more to him as the years go by.
We won't spoil the overall plot and detail, but some of the highlights of the story are as follows: - upgradings of one machine to the next and what this meant at the time! - computers at school and the games you loved and played - computer magazines and how we trusted and cared for them - the evolution of computers from 8-bit to 16-bit, and the high and lows of this
In summary when reading this book - cast your own mind back and think about computers and video games in the 1980s - what kind of memories does it conjure up? It might be quite different depending where you are in the world but nevertheless it was a time of great innovation and ground breaking products. There was also an air of mystery around gaming and computer companies in the very early 80s - with no internet we relied on magazines, newspapers and limited TV channels to serve up information and in some countries (including the UK!) it came much later than others such as the USA and Japan.
A Dark Beginning for the Immortal Franchise - Castlevania NES
By Ben
“Blinge” Cataldo
If somebody were to name the most famous 2D platformer franchise, the most
common responses would be Mario Bros, Sonic the Hedgehog or maybe Megaman. Lurking
just outside the window however is Castlevania, one of the oldest series still
enjoying new releases today. The original Castlevania was released by Konami on
the Nintendo Entertainment System in 1987.
In
Castlevania you assume the role of Simon Belmont, a hero of the Belmont clan of
vampire hunters. You have a simple mission; battle your way into Castle Dracula
and kill its owner. Although he's Dracula in all but name as the manual simply
refers to him as "The Count."
Castlevania
was one of the first horror themed console games and achieves this end
beautifully. While earlier NES games often looked more primitive than their
later 8-bit counterparts, Castlevania remains visually impressive, showing
variation in each stage despite the entire game taking place within the castle
itself. The NES' colour palette is used tastefully, the backgrounds are
detailed enough to avoid being repetitive and the foreground elements pop out
enough to be distinct from the backdrop.
As Belmont
progresses through the castle he encounters new themes in each stage. First, a
zombie infested entrance, an ascent through crumbling stairs and hallways, a
race across rooftop parapets, an underground cavern, a grim laboratory and
finally the iconic clock tower that has since become a staple of the series.
The whole game is replete with gothic imagery and these surroundings are
suitably aged as to look like a still-living ruin: the castle itself seems
undead.
Indeed the place is teeming with un-life, packed
with monsters that aren't exclusively from the vampire mythos. Castle Dracula
is described as a "doss house for every monster from every mythology
ever" by notorious reviewer Yahtzee Croshaw.
Castlevania
arrived on the NES amid a total saturation of 2D scrolling games, but what
distinguishes Konami's flagship platformer was its slower pace. Belmont can’t
jump on enemies to kill them, neither is he fast enough to avoid the castle
denizens, even attempts to jump over enemies will likely cause him damage.
Slamming into a crowd of enemies to try and force your way will often lead to
death as well. The player is encouraged to take each new enemy or obstacle as
its own challenge, whether by using the range of Belmont’s whip, or by
experimenting with the various secondary weapons you can find in the castle.
A
great example of this is the throwing axe, which can be found shortly before
the first boss – a large vampire bat. The bat usually stays above Belmont
before swooping down to attack: while it’s possible to whip it during this dive
attack, using the axe and its upwards arc is a more reliable tactic. This is an
example of player training as the player should learn that using the different
sub-weapons yields better results.
The slow
pace contributes to player training again in stage 2 when you find a Bone
Pillar waiting at the top of a staircase. This static enemy stands in place
like a turret and repeatedly fires two projectiles at a slight interval, but
Belmont can safely stand on a lower step beneath the fireball’s trajectory. An
observant player should see the Pillar’s pattern of attack, and that it’s
possible to hit it safely with the whip from slightly below. Carrying this
knowledge into the rest of the game will make future Bone Pillars easier to
deal with, as will using the environment to gain an advantage over enemies,
thus a slower pace encourages intelligent play, and intelligent play is
rewarded. Let it be known however that rushing through Castlevania is possible,
as is only using the whip, though this requires a real mastery of the game.
Trial, error
and slower gameplay is also the main source of difficulty in Castlevania. While
a modern gamer may dismiss Belmont’s sluggish movement as old games having bad
controls; slower movement and lack of agility is integral to the balance of the
game, and the controls are precise enough to be suited for this purpose. It is
usually a player’s rash actions that get them killed rather than Belmont’s
speed.
Another
source of difficulty is the much bemoaned knockback: upon being hit, Belmont
will be stunned for a fraction of a second and stagger backwards. Sometimes
this can be disastrous, you might be hit and knocked backwards into an instant
death-pit, or bounced between several enemies, taking a lot of damage in the
process. However there is a positive aspect to knockback: you’re invincible for
the duration of the stun period and slightly longer, saving you from taking
fatal levels of damage too quickly and in the second scenario mentioned above,
it would be possible to jump to safety or launch a counterattack.
Standard
practice for many games at this time was to give the player a limited number of
lives and continues; once they’re gone it’s game over. Castlevania offered a
concession here as you can continue infinitely from the beginning of the stage
you’re on. Stages are made up of smaller sub-areas, dying resets you to the
beginning of an area (with 0 ammunition) and continuing after a game-over takes
you back to the first area of that stage.
When considering Castlevania’s
difficulty, this is a good system that rewards progress and encourages the
player to continue without fear of losing that progress.
Overcoming
frustration and learning how to deal with a difficult section to the point
where you can beat it every time and progress further is an immensely rewarding
experience, it’s what makes Castlevania such a good game and the essence of why
we enjoy challenging experiences.
Castlevania’s atmosphere is a fusion of the 2D action game with gothic spookiness,
so it can’t be called a pure horror game, despite drawing upon gothic imagery
throughout. However, encouraging a new player to take things slowly provides
ample time to build some measure of suspense. Music plays a huge part in
creating the game’s atmosphere; the brief intro builds tension as Belmont
approaches the castle gate, before giving way to the opening blast of Vampire Killer, the catchy and iconic
level 1 song. The theme of the whole game is summed up here: a foreboding build
up, then straight into the action. In keeping with the gothic atmosphere, the
boss theme sounds like classical music through the NES soundchip, which works
surprisingly well. That same boss melody is worked into the stage 5 music, Heart of Fire: the perfect example of
the feel of a classic Castlevania game.
The
soundtrack does go for a full horror approach when Belmont finally reaches
Dracula himself, the final ascent up a long staircase into the Count’s throne
room with the music constantly cranking up the tension must have been
mind-blowing for somebody playing it for the first time in 1987. The fact that
many of these songs have been re-used and rearranged in later games in the
series is a testament to the quality of their composition and their popularity
among fans.
The NES revolution brought something that console gaming hadn’t seen before;
the ability to pick a theme and run with it, fashioning a coherent gaming
experience from that theme. Castlevania does this with gothic horror, it does
it with spooky imagery and sounds but doesn’t detract from the fun of a
platformer/action game. The gameplay itself even feeds into that theme by
encouraging the player to take their time and think about how they’ll tackle
each challenge. Many design elements in modern games can be traced back to this
pioneering time, or Castlevania itself. One could go as far as to suggest that
this game was the Dark Souls of its time.
Come then ye children of the night, those vampires aren’t gonna slay
themselves.
Set to be used as special pledges in an upcoming Amiga book Kickstarter campaign, 100 physical replica copies of Putty Squad for the Amiga are set to
be produced! These 100 copies will come in authentic replica packaging on actual Amiga floppy disks. Bitmap Books have gained exclusive permission from System 3 to
produce these copies of Putty Squad and will work with them closely to ensure that the final packaging is as near as possible to how Putty Squad would have
looked if released in 1994.
50 of the 100 copies will be signed by the original Putty Squad development team.
Commodore Amiga: a visual commpendium Commodore Amiga: a visual commpendium is Bitmap Books follow up to their hugely popular debut book; Commodore 64: a visual commpendium. Following on from
the C64 book, the Amiga book will focus on the visual side of the computer featuring stunning pixel art, game maps and box art. It will also showcase the
best software houses on the Amiga and is set to feature the Amiga demo scene.
The Kickstarter campaign starts on the 13th October and runs for 30 days. So far, some really exciting contributors are lined up and Commodore
Amiga: a visual commpendium is set to be Bitmap Books biggest project yet.
Sam Dyer of Bitmap Books says ‘Putty Squad remains the Amiga’s most famous unreleased game. To be able to take Galahad’s 2013 release and produce physical
copies of the game is hugely exciting. Huge thanks to System 3 and Galahad for allowing this to happen.”
About Putty Squad Putty Squad was developed by System 3 and the follow up to 1992’s insanely good Putty. Set to be released in 1994 but this famously never happened due to
the twindling Amiga market, but a pretty much full game remained in the System 3 archives. Fast forward 20 years and thanks to English Amiga Board member
Galahad, in 2013 a version was released as a Christmas gift on System 3's website as free digital download.
About Bitmap Books A new publisher specialising in beautifully designed and produced books all about video games. Commodore Amiga: a visual commpendium is the second book by
Bitmap Books.
www.bitmapbooks.co.uk Follow on Twitter @mrsidc64
Everyone loves a good movie licence game tie-in. Back in the day, all it took was a mildly popular film and before you knew it a game was released. Sam Dyer - Author. www.bitmapbooks.co.uk Here are my top 5.
5. Platoon (C64)
Ah, an 18 rated film made into a video game for kids! Set in the Vietnam war, Platoon was an Oscar winning film directed by Oliver Stone starring Charlie Sheen. A classic war film that is full of violence, guns and death. Sounds like the perfect ingredients for a children's video game. The Commodore 64 version of Platoon was programmed by Zach Townsend and the awesome soundtrack was by Jonathan Dunn. The the actual game is a series of mini-games. The first is a platform shoot em up where you must find your way out of the jungle maze whilst killing enemies that come at you from all directions. Its really tough but great fun. The later levels then turn into a really impressive first person shooter style game. Platoon on the Commodore 64 offers great graphics, expert programming, plays really well and overall; does not feel rushed. Lost hours playing this pretending I was a war hero in the Vietnam jungle. Platoon was also released on Amiga, Amstrad CPC, Apple II, Atari ST, PC DOS and ZX Spectrum. All of which look like pretty decent versions.
4. Indiana Jones and the Last Crusade (C64)
If there was a fast buck to made and a game to be rushed, you know that US Gold would have to get in on the act. In 1989 they released Indiana Jones and the Last Crusade on the back of this hit film which starred Harrison Ford and Sean Connery. Now I may be wearing my rose tinted spectacles, but I really like this game. Its a platformer that sees you control Indy and must go in search of the Holy Grail. The plot stays pretty faithful to the film and it sees you start in a series of caverns. You must make it to the surface in the pitch darkness but collected torches that enable you to see where to go. The torches burn down so you much grab another before it does. You can you your whip to kill enemies. Once you make it out of the caverns you must then make your way across a train roof. The game style changes slightly towards the end which adds variety. It plays great and is really good fun. So it it's not massive (4 levels), the sprites are poorly drawn and it feels a bit sluggish. The magazines didn't rate it either but for some reason it holds a special place in my gaming heart. I have not seen any other conversions but oddly, the Amiga version was an excellent point and click by LucasArts. Well worth checking out.
3. Robocop (C64 and Spectrum)
Another ultra violent film made into a game for 9 year olds! Released in 1987, the film of Robocop saw cop Murphy brutally (almost) killed by a gang of criminals and is then brought back to life and turned into a robotic policeman. Robocop then embarks on his one man fight against crime. A great film and a real classic. Released in varying forms on pretty much every system known to man, it was the Commodore 64 version that I actually owned. The games also changed across each system too. The arcade version is a different game to the home 8-bits. The Spectrum, Amstrad and C64 versions have differences. The NES and Gameboy versions also differ. Now, in hindsight the Spectrum version of this is much much better but back in the day, the C64 is the version I played. Jonathan Dunn is responsible for the epic soundtrack. It stays pretty faithful to the film plot. It even mimics the rape scene in the second level where you have to shoot the bad guy whilst missing the woman. Overall the presentation is great. The sound, gameplay and graphics all felt polished and well thought out. The Commodore 64 version got played so much when I was younger, it had to included in this list. A really cool film and a really cool game to go with it. Robocop stayed top of the game charts for months and months and was a massive hit when released.
2. Batman the Movie (C64 and Spectrum)
A member one of my family who is no longer with us brought me this for christmas 1990 so it's very nostalgic for me. I remember been really impressed with the striking box art and couldn't wait to give it a go. I have reviewed this game before and i'm sure everyone knows it well. As a whole package, I think its the best game on the C64. After recently seeing and playing the Spectrum version, this is also very very good if not better than the C64 version. From the box art to the music to the graphics to the gameplay, it really stands out as a game that pushed these systems to their limits. The most impressive part was that it followed the film plot almost exactly. Level by level it followed the film. This showed great attention to detail and real creativity. The Amiga version is also worth a shout out as it looks amazing. Batman games are still been produced to this day on modern systems which really shoes the strength of this movie franchise.
1. Goldeneye (N64)
As a massive bond fan, none of the Bond games that preceeded Goldeneye really did it for me. From the average View to a Kill to the awful The Spy who Loved me.They were ok but just not amazing. There was a gap in the market for a video game that actually was as good as the amazing films. So when Goldeneye came along in 1997 on the Nintendo 64 it blew me away. The only first person shooter id seen previously was Doom and Duke Nukem and Goldeneye was a massive step forward. The graphics were out of the world and the playability was so addictive. I was a little older when it was released so I would hang out with my mate, usually up to no good and spend hours and hours playing muliplayer battles. It featured characters from the film and also classic bond good and bad guys. Its a classic game that behind Mario 64, defined the N64 and helped sell them by the bucket load.
So that concludes my top 5 movie licence games. Do you agree or disagree with my list? Thanks, Sam
GamesYouLoved synopsis: 
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