Showing posts with label manic miner. Show all posts
Showing posts with label manic miner. Show all posts

Monday, 14 April 2014

Jesse McClure - Storage Hunters - BLOG Exclusive

Everything is worth something, but some things are just not worth selling! 

I have a unique job where every day has something new in store, but I always have the same goal regardless: SELL EVERYTHING.  Having grown up in the art of resale since I was 12 years old, I have grown accustomed and built up a sort of immunity to the idea of keeping “stuff.”  The thought of finding something “cool” and potentially keeping it, whether it's from a storage unit, a garage sale, or an auction, no longer peaks my interest anymore. I don't mean to say that as if  I'm one of those mindless people that express zero-emotion in their day-to-day lives. It's more the idea that if I did not approach it this way, my house would probably be featured on an episode of  Hoarders!. You know, one of those reality shows where I am just like the 60-year old lady who has floor-to-ceiling trash filling her entire home and no longer has any room left for herself or her 12 cats to sleep anymore.





There is however, one thing, out of all the antiques, trash, electronics, cars, guns, dirty mattresses, and adult toys I find that I absolutely cannot come to terms with selling. Ladies and Gentlemen, that one thing, is arcades!!!!.


Since I was a small child I've had this fascination with these large machines that too many non-fans may just see as glorified televisions in a wooden painted box dedicated to one lame video game. But whenever I see an arcade, whether it is at a laundry mat (launderettes), a family fun centre, or even a pizza restaurant, I see something different. I see art.

To be quite honest, I'm not really even into playing video games. I get a joy in simply collecting and displaying arcades, as if they were literal pieces of handmade art, like a painting or sculpture. Now that's not to say that many of these machines were probably made on some assembly line in Japan, but I still appreciate them just the same.  

I just don't like the fully restored, pristine condition machines either. In fact, I have more beat-up, graffiti tagged machines then perfect condition ones. And you know what? That's okay with me. These aged machines tell a story.  A story when the arcade was king, when going to these late night amusement centres were a social hangout spot, when people would leave their homes to play video games, as opposed to locking themselves in their rooms to playing Call of Duty all night. (Nothing against any of those people, I love console gaming on occasion too!)  





I just love to see these classic monsters in action. I like to see people, young and old, English, American, whatever, enjoy the experience of playing an arcade. This is why I am so excited for Play Blackpool. I would be lying to you if I didn't tell you the 12-year old inside me is completely ecstatic about being a part of this exciting event. I can't wait to see all these games in action, and all the awesome people that will get to enjoy them. 

This coming May 3rd and 4th, me and thousands of others will be at Norbreck Castle in Blackpool having the gaming times of our lives! I hope to see many of you out there, and if you would like to get beaten in any classics, please just ask. I'm open to all challengers!

Thanks to
Jesse McClure - follow at @storagehunters

See at Jesse McClure www.playblackpool.net in May!


Saturday, 1 February 2014

Jet Set Willy II - a love for this game - by Andy Pryer

Before we begin in ernest I think I should make clear that in I am unable to write a fair and balanced review of Jet Set Willy II as I am extremely bias towards this game.  You see, this was my ‘gateway game’, the first game I ever played (excluding my mindless fumblings as a toddler in the arcade) and the first game that I owned:  purchased on impulse from Superdrug no less back when everywhere sold games, and actually before I even owned a computer!  

Not only was it an immediate portal to a vast and surreal universe (once I’d secured my rubber-keyed spectrum a few days later), but in many ways it was a conduit to the gaming world at large, so I hope you’ll understand and forgive me my prejudices.

Jet Set Willy is the third outing for the character of Miner Willy of Manic Miner fame (Jet Set Willy II is kind of an expansion pack for the first JSW game adding more rooms and different music).  Flush with cash after his success in the mines, Willy decided swap his helmet for a topper and treat himself to a large country pile and celebrate with a party of biblical proportions.  Now, there’s a party I would like to have been at; although I would only have been seven at the time, so I may not have gotten the full benefit.  

To say this house is large is a ridiculous understatement.  It’s also very well appointed and comes equipped with all the conveniences you’d expect in a playboy gazillionair’s pad: Swimming pool, private beach with yacht mooring, a space rocket to transport you to the space station annex and of course all the young go-getter’s want the latest must-have gadget: a gateway to hell. 

As the previous resident, an eccentric professor, left the residence in mysterious circumstances, many of his experiments and contraptions are still running.  I can’t even begin to fathom what unholy experiments this crackpot must have been working on, but the resultant fallout seriously prevents ergonomic movement through the property.  One would imagine that being accosted on the stairs by a huge, flaming skull would play to the buyers favor at the negotiating table, so the house presumably came at a knock down price.

Somehow, Willy was able to convince guests to join him for a soiree at his death trap of a mansion, but we arrive on the scene after the final guest has either left or fallen victim to one of the many peculiar hazards.  We can only presume that the party was a success judging my the amount of glassware strew throughout the house.  Willy awakes in the bathroom where our hero has been purging his system of the excesses of the previous evening, as graphically illustrated on the cover.  But unfortunately for Willy, who’s understandably quite keen to hit the hay by this point, his housekeeper Maria doesn’t think risking her neck to gather the dirty glasses is in her job description, so she stands guard over his bed, denying him access until the last of the mess is cleared up.

Personally I’d have sacked her on the spot, but I guess Willy either loves a challenge or has matriarchal issues. And so Willy embarks upon the greatest adventure ever undertaken without leaving the house.

Unlike Manic Miner, the individually named screens can be attempted in any order, which delivers an amazing sense of scale and encourages epic exploration whether you decide to collect the items or not (I usually didn’t).  Just navigating through the game world can while away hours and there is always something more to see.  Collecting all the crockery is a somewhat daunting task to say the least, many of the room layouts will leave you scratching your head or thumping it raw with frustration, and the Prof.’s experiments certainly don’t make it any easier.  Whether your head is smashed in by a large rotating lemon, or your jaxi is being speared by a levitating rooftop guard, death is instantaneous and with only seven lives it's often not long before you’re crushed under the naked foot of failure in a Monty Pythonesqe scene signaling that your final life as been depleted.  

You certainly can’t blame the controls for you failure, with just Left, Right and Jump you aren’t going to get confused.  I prefer to use keyboard over joystick, but that may be because I didn’t have a joystick when I first had the game.

The music is simple, but like everything else is perfectly judged.  The title screen treats you to a superb 8-bit rendition of Beethoven’s Moonlight Sonata, while the scale of the actual adventure is enhanced no-end by looping In the Hall of the Mountain King (or If I Were a Rich Man from Fiddler on the Roof in the case of the original JSW)

A game with this much character can only have been made at this magical time of bedroom coders, where one person’s wonderful eccentricity could be tapped and converted to code. The game was and is immensely popular and elevated it’s author Matthew Smith, already idolised for Manic Miner, to legendary status.  

I feel rather lucky that my first game was one which was bound to strike such a chord with me.  The sense of humour coupled with the spirit of exploration and discovery still wows me to this day, almost as if the game was aimed especially at me to entice me off my bike and into games.  Intentional or not, it worked.  I know not all games can be like this, but it would be nice if there was a little something of the spirit of JSW in games today.

Thanks to Guest Blogger - Andy Pryer
You can also follow Andy on Twitter @ClammyLizard






Tuesday, 24 December 2013

EXCLUSIVE Bluetooth ZX SPECTRUM KICKSTARTER Interview with Elite Systems Managing Director, Steve Wilcox

So Steve - thanks for taking time out at the beginning of this exciting time with the launch of your new Kickstarter. But this isn't something new for you creating new technologies and games for the industry.

Firstly lets talk about Elite and its History....

Q. Tell us about your role at Elite - Steve from the beginning and to now?


Steve Wilcox
Well, I’m a de facto co-founder of the company, having been a Director since it’s formation on 14th August, 1984. Consequently, I’ve been involved – in some way - with every glorious (and every inglorious) moment of Elite’s 29 year history.

Q. How and why was elite founded?

Steve Wilcox.
Although I’m a co-founder, that’s really less than half of the story. The real source of Elite’s foundation was my much younger and somewhat smarter brother – Richard. In 1982/3, at the age of 14/15 he wrote – first for the Atari 400 and subsequently for the ZX Spectrum – a TV-series inspired game, featuring a helicopter. It was called ‘Blue Thunder’ and was marketed using the label ‘Richard Wilcox Software’. Our father, Brian, backed Richard’s work with full-colour, full, page advertisments in Computer & Video Games magazine, amongst others. At that time, I’d just left my one and only post-University employment to set up and independent retail outlet specialising in the sale of ZX Spectrum software and hardware. It traded as “Bowies: The ZX Spectrum Specialists”. Richard’s game needed selling into the retail channel, in those days that meant Boots, WH Smith et al. So, between serving customers in our “mom and pop” store, I doubled as Richard’s telesales team, eventually selling around 40,000 copies ohf his game. A little later, four young guys set up camp in the store room of our shop and began working on a ZX Spectrum game to follow Richard’s (and the first to be published using the label ‘Elite’). That game was called ‘Kokotoni Wilf’.


Q. What were the highlights of the 80s and gaming for you personally?

Steve Wilcox.
Those very early days, ‘83 to ’87, were a blizzard. 7 days a week. 12 hours a days. Phones. Planes. People. Products … and several million games sold. Looking back it’s hard to recall how we crammed so much in to such a short period. Half a dozen UK and European #1-selling games, Game of the Year, Software House of the Year, zero to one hundred staff.

Q. What was the process of developing and publishing games like in the 1980s?

Steve Wilcox.
A lot like developing and publishing apps today (… and absolutely nothing like publishing console games today). ‘Have an idea in the morning, be working on it in the afternoon, start marketing it the following day, have it in players’ hands the following month, (sometimes). A fantastically liberating, exciting and enjoyable way to earn a very good living, (if you were very lucky).

The Now...2013

Q. What has inspired you with this new Kickstarter?

Steve Wilcox.
The inspiration for the development of the Bluetooth ZX Spectrum device was a series of conversations with a national journalist in the Spring of 2011. At the time, the journalist was the Consumer Technology Editor for a British National Newspaper and called to talk to us about the range of original 1980s ZX Spectrum games which we’d relatively recently launched as apps for iOS devices. During the conversations he enquired whether we thought there was any possibility that the ZX Spectrum home computer might be recreated. At the time we spoke about how another 1980s home computer, the Commodore C64, had had a re-launch of sort in the form of a dedicated joystick (you can read about that device here) and that got us thinking. After talking about it in the office for a few minutes, our vision for how the ZX Spectrum could be recreated began to take shape. We called the journalist 30 minutes later and two days after, his account of our vision appeared in the article which he wrote. You can read that article, which created quite a stir at the time, here.

Q. How important was the keyboard to the ZX Spectrum - both in design and functionality?

Steve Wilcox.
I think Rick Dickinson, Industrial Designer at Sinclair Research in the 1980s and the man credited with the external look of the ZX Spectrum, best explained the importance of the keyboard to the design and functionality of the ZX Spectrum in the video which he recorded for our Kickstarter appeal. It lasts 5 or 6 minutes but is incredibly insightful. I’d recommend anyone interested in the device to watch the video.



Q Tell us about the existing games that can be played in unison with hardware?

Steve Wilcox.
Well, in the first instance and as we’ve recently confirmed, we’ll be updating the ZX Spectrum: Elite Collection / HD apps so that they’re compatible with the Bluetooth ZX Spectrum. For iOS device owners who’ve already invested in these app, that means that they’ll be able to play the 200 or so ZX Spectrum games which they may already own using the Bluetooth ZX Spectrum. Optionally, the Bluetooth ZX Spectrum can be used as a Bluetooth keyboard not only for iOS but also for Android and Windows phones and tablets (as well as for PCs and Macs). That throws up a whole host of additional possibilities.

Q Will there be any new games coming out in 2014 to working in unison with the hardware?

Steve Wilcox.That’s a great question. As you may know, we announced earlier this year that we’re working with Matthew Smith (‘Manic Miner’, ‘Jet Set Willy’ for the ZX Spectrum) on a new project. Wouldn’t it be fantastic if the launch of the Bluetooth ZX Spectrum coincided with such a project? Also, since the announcement of the Bluetooth ZX Spectrum a few days ago, we’ve been approached by developers with proposals that we work with them on the development and publication of new games for the device. It’s still very early days but there are clearly many opportunities for developers to launch new games to coincide with the launch of the Bluetooth ZX Spectrum.

Q. Have you been in contact with any 80s developers and creative pioneers from the 80s in this new project or as part of developing mobile games?

Steve Wilcox.
It’s remarkable but the answer to your question is yes. In addition to Matthew Smith, Keith Burkhill (‘Commando’, ‘Ghosts n Goblins’, ‘Space Harrier’ for the ZX Spectrum has worked with us on the ZX Spectrum: Elite Collection / HD apps for iOS devices. He’s still very local to us, in the suburbs of Birmingham. Nigel Alderton, (‘Chuckie Egg’ for the ZX Spectrum) is still in contact too. We’ve been publishing ‘Chuckie Egg’ for mobile phone for almost 10 years and will do so again for the Bluetooth ZX Spectrum.
 
Q How has the games industry changed since 1984 - the good and the bad?

Steve Wilcox.
For the good - scale an certainty. When we first became involved in the games industry in the first half of the 80s there was still much comparison with “the Skateboard business”. At that time “the Skateboard business” was seen to have risen and fallen (it hadn’t yet risen again) and in some circles there was a fear/ expectation that a games industry “built on kids who had no disposable income” was just a flash in the pan. Thankfully, that’s no longer so. I’m struggling to think of ways in which the games industry has changed for the bad. If I was forced to pick on one then I’d say that the somewhat predatory way in which some developers / publishers elicit (sometimes large chunks of) cash from the young and the vulnerable, though in-app purchases, is a step in the wrong direction. Elite has not nor will it ever be involved in such activities.

Q. What are your favourite Spectrum games with keyboard play?
Steve Wilcox. 
‘Manic Miner’.